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人人書 > 雜誌 > Jizhou Ware, Joyous, Jaunty, and Folksy

Jizhou Ware, Joyous, Jaunty, and Folksy

時間:2024-10-25 04:40:26

CHINESEpeopleloveteaandassuch,haveadevelopedteaculturethatputsagreatemphasisonteaware.DuringtheSongDynasty(9601279),teacontestswerealltherageamongscholarsandintellectuals,whopreferredblack-coloredwares.Asaresult,manykilnsdevotedthemselvestoproducingblackchinaware.ThebestproducerswerethoseinJizhou,today鈥檚Ji鈥檃n,JiangxiProvince.

JizhouwareisdistinguishedbytheunassumingairandaestheticsoftheethnicHanpeople.Theirmostpopulardesignsincludealeafpatternandapapercuttingpattern.

Thebest-preservedancientkilnsinChina,the1200year-oldJizhoukilnswerefirstbuiltinthemidtolateTangDynasty(618-907),thrivedintheSongDynastyandbegantodeclineattheendoftheYuanDynasty(1271-1368).Becausetheywereprivatelyowned,theyhadmoreautonomyoverthekindsofceramicstheywishedtoproduce.TheJizhoukilnsalsohadanenormousamountofoutput.Mostoftheirprod-uctsweremadefordailyuse,suchasbowls,jars,kettles,incenseburners,andpillows.Theglazeusedfordifferentwarescameinavarietyofcolorsandshades,includingceladon,green,white,andblack.Someitemsalsobearpaintedpatterns.Thisgreatvarietyinfunction,shape,color,anddesign,combinedwithalargeproductionoutputandjauntyartisticstyle,givesJizhouwareaspecialpositioninthehistoryofChineseceramics.

Jizhoukilnswidelyborrowedtechnologyfrompeerstotakeonalifeoftheirown.Forinstance,theyadoptedthestackingmethodinthefiringprocessinventedbythekilnsinDingzhou,whichsignificantlyincreasedoutput.TheyalsolearnedhowtooverglazeandunderglazecolorsfromthekilnsinCizhou,glazetransmutationtechniquesfromkilnsinJuntai,aswellasthe鈥渉are鈥檚fur鈥漚nd鈥減artridgefeather鈥漝esignsfromkilnsinJian鈥檃n.ThisinclusivenessandresultingrichnesshadalastingimpactontheevolutionofChina鈥檚ceramictechnologies.

Theblack-glazeJizhouwareisalsocalledTianmu,orHeavenlyEyeware.Thematerialsusedtomakeitsglazewereinexpensive,butwererenderedtoproducekaleidoscopiceffectsusinguniquetechniques.TheTianmuwarecombinesfunctionalityandartistry,characteristicoftheartofthemasses.

AsignaturedesignoftheTianmuwareisleafappliqu茅,whichcomesintheformsofahalfleaf,awholeleaf,ortwotothreeoverlappedleaves.Toproducethiseffect,theleafissoakedinwateruntilonlytheskeletalisleft.Itisthenplacedonthesurfaceoftheceramicitem,alreadyglazedinblack,beforebeingcoveredinatranslucentyellowglazeandfiredinthekiln.Theresultisasepia-huedlace-workofveinsagainstadarkbackdrop.

ThesurfaceofJizhouwareisnotassmoothcomparedtomanyotherporcelainitems,butshowsabeautifulsheeninwater.Theeffectisenhancedonthepitch-blackTianmuware,whoseveinmarksonthebottomcreateanillusionoffallenleavesafterarainshowerwhenthevesselisfilledwithtea.ThisiswhatmakesJizhouwareunparalleledamongceramicChineseteaware.

Jizhoupottersalsoincorporatedpaper-cuttingartintotheircreations,whichwaswidelypopularamongthepublic.SomeJizhouwaresaredecoratedwithpaintingsaboutlocallife,whicharenowvaluablerecordsofthesocialactivitiesandcustomsfrom1,000yearsago.

AsamajorsectofChineseceramics,JizhouwarehasbeenexportedtoEuropeandtheMiddleEastsinceancienttimes,andwaslovedbylocalaristocrats,boostingbothinternationaltradeandculturalexchanges.C

SONGXIAOYANisacourseplannerofantiquechinawareattheAncientPorcelainCourtyardMuseum.Leaf-PatternedJizhouWareHousedintheJiangxiProvincialMuseum,thisblack-glazedteawareisbelievedtobefromtheearlystageproductionofTianmuwaresofsimilardesign,andisthereforeofgreatvalue.JizhouBowlwithPaper-CutPrunusDesign

AmongthecollectionintheBeijingPalaceMuseum,thispieceisemblazonedwithPrunusflowersonabackdropofthe鈥渉are鈥檚fur鈥漰atterninside.Theoutersurfacemimicsatortoiseshell.Theopeningisbroad,andtaperssteeplytoanarrowbottom,atypicalshapeofSongchinaware.JizhouCoveredJarwithDeerPainting

AnexhibitattheJiangxiProvincialMuseum,thisitemwaspaintedwithpigmentcontainingirononabeigesurfacebeforeatransparentglazewasapplied.Afterfiring,thepigmenttookonatancolor.ThepaintingonitdisplaysadeercarryingaGanoderma,asymboloflongevityinChineseculture.
   

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